Greenwode

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Greenwode
J Tullos Hennig
Difficulty: Medium
Amazon, Barnes and Noble

Blurb from the Amazon page:

“When an old druid foresees this harbinger of chaos, he also glimpses its future. A peasant from Loxley will wear the Hood and, with his sister, command a last, desperate bastion of Old Religion against New. Yet a devout nobleman’s son could well be their destruction-Gamelyn Boundys, whom Rob and Marion have befriended. Such acquaintance challenges both duty and destiny. The old druid warns that Rob and Gamelyn will be cast as sworn enemies, locked in timeless and symbolic struggle for the greenwode’s Maiden.

Instead, a defiant Rob dares his Horned God to reinterpret the ancient rites, allow Rob to take Gamelyn as lover instead of rival. But in the eyes of Gamelyn’s Church, sodomy is unthinkable… and the old pagan magics are an evil that must be vanquished.”

I love retellings of classic stories and fairytales, especially when they’re tweaked or expanded to focus on different types of people (especially when those people are like me!). But to call J Tullos Hennig’s Greenwode a simple retelling would not communicate the depth and substance of the book. Hennig’s version of the Robin Hood myth is much more like Stephen Lawhead’s than Disney’s: complex, meticulously researched, and vividly realized. The culture and conflicts of the middle age setting plays a major role in the plot, and Hennig devotes plenty of energy developing Gamelyn, Rob, Marian, and others into believable, sympathetic characters instead of leaving them as mere mythic archetypes.

It’s important to know up front that Greenwode is on the longer side and ends in a cliffhanger. The sequel, Shirewood, is worth reading regardless, but I understand why the necessity of reading a second book might be frustrating for some. I found Greenwode to be an enjoyable historical fantasy/coming of age story on its own, but definitely a bit grim. The spectre of religious conflict seemed always to be present and gave even happier or funnier scenes a darker tone and sense of foreboding, and hit a little too close to home for me. But maybe I’m just not cut out for forbidden romances. The prose is pleasant and easy to read, and though the phonetic accents sometimes gave me pause I think they helped flesh out the setting in a meaningful way. Recommended for fans of high fantasy, forbidden romance, and myths or fairy tales.

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