Blurb from Amazon:
“Two award-winning and New York Times–bestselling author join forces for a collaborative novel of awesome proportions.
One cold night, in a most unlikely corner of Chicago, two teens—both named Will Grayson—are about to cross paths. As their worlds collide and intertwine, the Will Graysons find their lives going in new and unexpected directions, building toward romantic turns-of-heart and the epic production of history’s most fabulous high school musical.
Hilarious, poignant, and deeply insightful, John Green and David Levithan’s collaborative novel is brimming with a double helping of the heart and humor that have won them both legions of faithful fans.”
Will Grayson, Will Grayson is pretty much a mandatory read for YA fans since it’s a superstar collaboration between two of the best in the business. When they set out to write it, all Green and Levithan knew was that they would each write a character named Will Grayson, and that their characters would meet at some point. While I’m not the world’s biggest YA reader, I have to admit that the end result is pretty unique. The story is told from both characters points of view in alternating chapters, with the second Will Grayson’s (styled ‘will grayson,’ written by Levithan) mimicking an instant messenger chatroom, complete with usernames and no capitalization. As a titanic nerd who lived most of his teen years online, this was very familiar to me. I admit I found it a little difficult to like will grayson during the first part of the book because he was just so damn angsty, but as the story developed so did he, and by the end he was my favorite. Admittedly, he didn’t have that much competition because Green’s properly capitalized Will Grayson was pretty cookie cutter protagonist, intent on keeping a low profile and never rocking the boat, and pretty much succeeding at it. As a whole, Will Grayson, Will Grayson has much more in common with Levithan’s goofiness than it does Green’s high-stakes drama, but as I’ve said before, we need more fun gay stories.
When it was first published in 2010, Will Grayson, Will Grayson became the first LGBTQ+-themed novel to ever make the NYT’s Children’s Bestsellers list, largely due to the fact that few YA or children’s authors wanted to touch the topic. I have to wonder what level of influence it’s had over the last decade. On paper I would think the split narrative might entice readers of any orientation to give it a try, but everywhere I look I see the book categorized as LGBT fiction, which I think is unfortunate. That label may help LGBTQ+ folks find it, but it also makes it easier for those NOT searching that label to never see it. It’s important to write for our own community, but I’ve always felt that the greatest challenge lies in getting those outside of that community to acknowledge our existence in their media. That’s something I really like about Will Grayson, Will Grayson, that it tries to cross those boundaries, albeit with limited success. I think on some level, LGBTQ+ people simply don’t exist in the lives of many individuals, so when they encounter them in media, they reflexively categorize that media as being for someone else. It’s easy to forget how large a role systems like Amazon’s play in shaping the content we see and the content we don’t.