Blurb from Amazon:
“By turns funny, romantic, erotic, and sad, this evocative novel brilliantly recreates the landscape of late adolescence, when friendships seem eternal and loves reincarnate. Set in Arkansas but first published in Amsterdam, Clicking Beat on the Brink of Nada (published under the title of Cody in United States) quickly won praise from reviewers and readers across Europe and North America. So beautiful, brave, and ahead of its time that William S. Burroughs was an early fan, Clicking Beat remains remarkably current and continues to be unique in coming of age literature. A haunting vision of young friendship shattered by an outrageously cruel world. Keith Hale’s novel aches with adolescent first loves.”
I’ve attempted to write about this book several times over the last few months but always ended up deleting it. On the one hand, it’s a poignant, sensitive, and thoughtful coming of age tale that definitely deserves attention, but on the other, it’s one of the most emotionally grueling books I’ve ever read, to the point where I don’t even want to reread it for this write-up. It’s not always sad–although it’s sad pretty often–it’s just emotionally dense. I feel like nothing ever just happens in this book because every character, plot event, and interaction is saturated with emotional meaning. It’s exhausting, but I guess it’s also impressive. Many writers struggle to make readers care about their characters, but with Hale’s book it’s like I care too much. I don’t think any of that quite qualifies as a downside though, and the book’s strong characters and crisp prose have earned it a lot of well-deserved praise.
Clicking Beat has a highly political focus that I’ve never been quite sure what to make of. The main character goes by Trotsky, and his mother is a university instructor and outspoken advocate of Socialism (remember that this Clicking Beat is set in the 1980s). The strange part of this is the fact that socialism fills the role of catalyst that sexuality normally would in a coming of age story. It’s his mom’s socialism that earns the ire of their Arkansas town and it’s socialism which inspires a number of the (often bad) events which move the story forward. I’m not sure if it was Hale’s attempt to complicate the traditional gay coming of age format or if there was a deeper political meaning to those choices but mostly I just felt confused. Perhaps if I were to reread it it would become clearer to me, but it’s been more than half a decade since I read the book and I don’t feel the need to revisit it, at least not yet.
Also, it is absolutely criminal that the American publisher initially changed the title to Cody. Clicking Beat on the Brink of Nada is one of my all time favorite titles and I really can’t fathom how Cody is in any way an improvement.