Christopher and His Kind

Christopher and His Kind
Christopher Isherwood
Difficulty: Medium
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In 1938, when he was only 34, Christopher Isherwood published his first autobiography, Lions and Shadows, about his schoolboy days at Cambridge with W. H. Auden, Stephen Spender, and other rising literary stars. I think that alone reveals quite a bit about his character, cocky, a little vain (I mean look at that title), writing a personal history before he’s even halfway through his 30s. Or maybe it tells us more about his method. Isherwood was an endlessly attentive and remarkably perceptive observer, and those he observed regularly found their way into his work, albeit by different names. So perhaps it shouldn’t be surprising that someone so young might have so much to say about their life. But trust me, it’s also because he was cocky and vain if his depiction of himself in Christopher and His Kind is anything to go by.

Isherwood didn’t write Christopher and His Kind until his 70s, and it picks up more or less where Lions and Shadows leaves off, documenting his ten year emigration from England to California. In 1929 Isherwood had been living in Germany, enjoying the wild, sexually liberated nightlife he depicted so vividly in Goodbye to Berlin, but the rise of Hitler and the Nazi party forced him and his german boyfriend Heinz Neddermeyer to flee the country. Isherwood then spends the next decade bouncing around Europe, desperately trying to wrest Heinz from the legal clutches of his homeland. Isherwood depicts his journey with the help of his usual perspicacity and detailed journals from the time, writing about his younger self in the third person and giving his story a literary sheen not often associated with autobiography. 

The reason I started this post talking about Lions and Shadows is that Isherwood mentions it frequently in Christopher and His Kind, mostly with regret. What he regrets is his thorough erasure of any mention of homosexuality from a book purported to be autobiographical, and that’s part of his motivation to create this newer one. Isherwood’s young Isherwood is quite a character. An absolute diva, but in an endearing way, cocky, vain, and probably a genius. Faultlessly loyal to his friends, adventurous, highly emotional, and very privileged. His travels were exciting and unpredictable, it was rarely clear which exotic location he’d end up at next, and, not already being familiar with his history, I was never sure what the outcome of his odyssey might be. I don’t have much more to say about this one, an author of Isherwood’s caliber simply speaks for himself.

Also, I would like to formally apologize for using the word perspicacity, but it was too good an opportunity to pass up.

A Single Man

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A Single Man
by Christopher Isherwood
Difficulty: Easy
Amazon, Barnes and Noble

Normally I write my own summaries for these posts, but I like blurb from the Farrar, Straus and Giroux edition too much:

“Welcome to sunny suburban 1960s Southern California. George is a gay middle-aged English professor, adjusting to solitude after the tragic death of his young partner. He is determined to persist in the routines of his former life. A Single Man follows him over the course of an ordinary twenty-four hours. Behind his British reserve, tides of grief, rage, and loneliness surge―but what is revealed is a man who loves being alive despite all the everyday injustices.”

Christopher Isherwood is best known for his novel Goodbye to Berlin, which, through a series of adaptations, eventually became the famous musical Cabaret, but he is also, in my opinion, one of the most interesting and talented English writers of the 20th century. Isherwood seems to have known almost everyone who was anyone in the english literary world, and slept with half of them. He travelled extensively around Europe, barely escaping Germany before the start of WWII, before finally emigrating to the United States where he lived with his lover, Don Bachardy, until he died in 1986.

When it came to writing, Isherwood was an exacting craftsman, and A Single Man may very well be the most skillfully composed of all the books that have or will appear on this website. In fewer than 200 pages of accessible, insightful, and dignified prose, Isherwood depicts a day in a life, not of a gay man, but simply of a man. He does so with quiet pride, never apologizing to or asking forgiveness or even mercy from, a disapproving society. A Single Man is about age, grief, sexuality, culture, and time, but more than anything it is a contemplation of life as an outsider.

Fun fact: Isherwood and the poet W.H. Auden were lifelong besties and slept together on and off for pretty much their entire lives. They was bangin’, a lot.

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Isherwood (left) and Auden (right)