Though Vanyel has been born with near-legendary abilities to work both Herald and Mage magic, he wasn’t no part in such things. Nor does he seek a warrior’s path, wishing instead to become a Bard. Yet such talent as his, if left untrained, may prove a menace not only to Vanyel but to others as well. So he is sent to be fostered with his aunt, Savil, one of the fame Herald-Mages of Valdemar.
But, strong-willed and self-centered, Vanyel is a challenge which even Savil cannot master alone. For soon he will become the focus of frightening forces, lending his raw magic to a spell that unleashes terrifying wyr-hunters on the land. And by the time Savil seeks the assistance of a Shin’a’in Adept, Vanyel’s wild talent may have already grown beyond anyone’s ability to contain, placing Vanyel, Savil, and Valdemar itself in desperate peril.
I gave Magic’s Pawn a bit of short shrift in my write-up for Ellen Kushner’s Swordspoint, so I hope to do it a little more credit here. I initially implied that this book is a gay tragedy, but as I reflect on it, it seems very unjust to reduce it to that label. Just because a tragedy may be present doesn’t mean that a work needs to be defined by it (though plenty are). Lackey’s depiction of homosexuality is sophisticated and reveals a deeper understanding of real-world issues which she reflects onto the land of Valdemar. Modern fantasy novels with queer characters often present worlds in which gender and orientation are a non-issue, and while that’s nice to imagine, it’s too far removed from reality to carry much impact. Lackey’s more realistic approach grants the story a lot more weight, which is perhaps why it was so difficult for me to read when I was younger.
Vanyel’s journey to self-acceptance is a long one chock full of angst and melodrama, just like real ones often are. It’s probably most enjoyable (and useful) when the reader is at a similar stage of their personal development or if they’re in the mood to feel sorry for themselves (that’s not a dig, everyone needs a pity party sometimes). Subject matter aside, it’s an excellent work of fantasy and easily stands alone on those merits. Mercedes Lackey is a household name in fantasy world after all, and she’s published a ridiculous amount of books, many in the same world of Valdemar. I’ve read several others by her and found them all of equally high quality, with Foundation being a favorite. I still think that Magic’s Pawn is too tragic for me, but I suppose the late ‘80s were a pretty tragic time and it’s only natural that the book would reflect that. And of course not everyone will feel that way about tragedy. I think my aversion to it comes from spending too much time immersed in classic gay literature, which is invariably depressing.