Blurb from Amazon:
“This is the story of Paul, a sophomore at a high school like no other: The cheerleaders ride Harleys, the homecoming queen used to be a guy named Daryl (she now prefers Infinite Darlene and is also the star quarterback), and the gay-straight alliance was formed to help the straight kids learn how to dance.
When Paul meets Noah, he thinks he’s found the one his heart is made for. Until he blows it. The school bookie says the odds are 12-to-1 against him getting Noah back, but Paul’s not giving up without playing his love really loud. His best friend Joni might be drifting away, his other best friend Tony might be dealing with ultra-religious parents, and his ex-boyfriend Kyle might not be going away anytime soon, but sometimes everything needs to fall apart before it can really fit together right.
This is a happy-meaningful romantic comedy about finding love, losing love, and doing what it takes to get love back in a crazy-wonderful world.”
It’s a little strange that such a flamboyant novel has such an unassuming name, but it actually fits pretty well. Beneath the campy exterior is a surprisingly deliberate and thoughtful coming-of-age romance with a meaningful message. Drag queen quarterbacks and harley-riding cheerleaders aren’t just there for comic relief (though they are often humorous), they also represent a utopic vision of society, one in which the star quarterback could be a drag queen. And that’s more or less what Boy Meets Boy is about. It’s delightful to explore Paul’s improbably progressive town and school and see the ways in which Levithan sets about subverting heternormative society as he creates his queer paradise. But unlike many other gay YA novels, he never forgets about the way things actually are. Paul’s friend Tony lives in the next town over, a town which more accurately reflects the actual societal attitude of 2003, and has very religious, very controlling parents. Tony serves as a constant reminder that, while Paul’s life might be charmed, the world still has its problems.
Paul’s character is particularly notable for being pretty much the only person in the novel not completely riddled with teenage angst. In contrast to most other YA protagonists, his life has been downright easy, something Levithan makes a point of emphasizing. Paul never struggled with his sexuality, his parents were accepting, and he’s never faced any social or physical consequences for his orientation, but most of his friends can’t stay the same. It’s a little weird reading a story from the perspective of the one person who’s just completely fine. Watching him solve problems thoughtfully and maturely was a bit bewildering at times because it’s so out of character for the genre. I’m not entirely sure why this aspect of Paul’s character is important to Levithan, but he’s pretty clear that it is. I suppose Paul’s ability to handle emotionally challenging situations caused me to reflect on similar situations in my life and to examine the reasons I might respond the way I do. How much of my behavior is colored by experiences grappling with my sexuality or the consequences of it? Paul could also be viewed as a bit of an instruction manual, demonstrating the right way to behave instead of validating more typical, emotionally charged responses. Regardless of the reason, Paul is a large part of what makes Boy Meets Boy stand out from the (admittedly small) gay YA crowd.